Suicide Squad Sequel in the hands of Gavin O’Connor

Last year, DC Comics and Warner Bros. did not have a good year. Batman v. Superman: Dawn of Justice and Suicide Squad made their way into theaters and though both films enjoyed significant financial success, both film were thoroughly skewered by critics, myself included. To be honest, I thought Suicide Squad was better than Batman v. Superman, but that’s like saying 0>-2; Suicide Squad was more enjoyable but it was mess through and through but Warner Bros. wants to give the team of villains commissioned to do black-ops for the government another shot with a sequel and I think that the sequel is in good hands with Gavin O’Connor.

The movie is a top priority at Warner Bros. and looks to be one of the two DC properties (the other being New Line’s “Shazam!”) to begin production next year. Given the ensemble’s busy schedule, the shoot wasn’t expected to start until fall of 2018. So while there’s still time, the studio is eager to get someone on board to pen a script.


Image by Matt Baron/Rex/Shutterstock

I remember O’Connor’s name very well. In 2011, O’Connor co-wrote and directed the drama Warrior starring Tom Hardy, Joel Edgerton and Nick Nolte, who gave an Oscar-nominated supporting performance, and the film was very well-done. Over the past few years, O’Connor has directed hit-or-miss films such as The Accountant, starring Ben Affleck, Anna Kendrick and J.K. Simmons, and Jane Got a Gun, starring Natalie Portman, Ewan McGregor and Joel Edgerton. Hearing that O’Connor’s name associated with this production certainly fills me with confidence based on how I enjoyed Warrior.

Suicide Squad 2 is set to bring back Will Smith, Margot Robbie, Jared Leto and Joel Kinnaman and aiming for release in 2019.


Image by Warner Bros. and DC Entertainment


Tom Hardy is a web-slinging anti-hero!

A few weeks ago, Sony Pictures announced that the Marvel character and Spider-Man antagonist Venom would be featured in a standalone spinoff set to arrive in theaters sometime next year. The fan-favorite character has already made his big-screen debut in the disappointing blockbuster Spider-Man 3, portrayed by Topher Grace, but this project is seen as an opportunity for Sony to get the character right and potentially usher in a new anti-hero universe based on Spider-Man’s rogues gallery.

News has broken that names have now been confirmed to sign on for the spinoff. Zombieland director Ruben Fleischer will direct and Oscar nominee Tom Hardy is set to star in film.

Scott Rosenberg and Jeff Pinkner, the latter of whom worked on 2014’s The Amazing Spider-Man 2, wrote the script for Venom. Plot details are being kept in the black but Hardy, who is said to be a Venom fan, will play Eddie Brock, the character who first became Venom.

Avi Arad and Matt Tolmach are producing along with Amy Pascal.

The internet is calling this casting a coup and I can’t help but agree. Hardy is an excellent actor who is a year removed from his first Oscar nomination in The Revenant and has starred in action and drama movies a plenty including Inception, Warrior, has a superhero movie under his belt already portraying the sinister Bane in The Dark Knight Rises, rode through the wasteland in Mad Max: Fury Road and will star in the upcoming Dunkirk; I can’t help but be impressed by Hardy’s body of work thus far and I look forward to seeing him give life to this tragic and deadly character. Venom is set to snare an audience on October 5, 2018.

Review: Southpaw

Image by The Weinstein Company

Over the past few years, I’ve noticed that Academy Award nominee Jake Gyllenhaal has truly gained a worthy reputation of becoming a consistent, top-class actor capable of immersing himself beneath the skin of his character in order to deliver a shining performance. This is once again the case with his latest film, Southpaw which stars Gyllenhaal as Billy Hope, a prizefighter who endures a hurricane of horrible circumstances after a tragic incident costs him the life of his wife Maureen, played by Rachel McAdams.

Hope grew up in the (foster care/orphanage) system, but fought his way out thanks to a pair of boxing gloves, and he grew into a title contender who can take and dish out a lot of punishment in the ring. A skirmish with a cocky Columbian contender named Miguel Escobar, played by Miguel Gomez, results in gunfire, and Maureen is the victim.

Hope descends down a spiral of anguish and agony and his reckless behavior ends up costing him everything; his mansion, his cars, his entourage, he’s suspended from boxing for a year and legal services claims custody of his daughter Leila, played by Oona Lawrence. Determined to get his child out of the system he grew up in, Hope turns to veteran boxer Tick Wells, played by Academy Award winner Forest Whitaker, to get him back into shape, for both the ring and in life.

By Antoine_Fuqua.jpg: Nicogenin derivative work: Beao (Antoine_Fuqua.jpg), via Wikimedia Commons

Director Antoine Fuqua and writer Kurt Sutter, known from his work with Sons of Anarchy, may have intended Southpaw to be a crowdpleaser/tale of rise-fall-redemption much in the vein of Rocky, but unlike other recent boxing/fighting dramas such as The Fighter or Warrior, it fails to elevate the emotions and spirits of its audience in part of technical overcompensation, but it does deliver quality acting regardless and I appreciated the performances.

I went to see this because of Jake Gyllenhaal, whom I have become a true fan of recently. Still believe he gave an exemplary acting performance in Nightcrawler and he still lives up to the consistency I believe he is capable of. He simply transformed himself again as Billy Hope, this muscular, brooding, driven man who lost his purpose but found it again and he delivers a truly excellent leading performance.

Another actor who I profoundly respect is Forest Whitaker. His role as Tick Wells, this sage, beaten, haggard boxing veteran who helps Hope get back on the right path, he plays to perfection. There is this beautiful moment where Whitaker and Gyllenhaal are reeling from the news about this kid from Wells’ Gym was shot and they are talking and absorbing the blow of the news, you really feel a sense of these two actors just bringing out the best in each other with this moment.

Newcomer Oona Lawrence, I believe she is one to watch out for. She was very strong as Leila Hope, Billy’s grieving daughter who wants to watch her dad fight more than anything.

The rest of the cast including McAdams, Gomez, Curtis “50 Cent” Jackson, Naomie Harris, Skylan Brooks, were all decent to say the least.

My overall problem with Southpaw: too many close-ups. I’m uncertain whether the decision to use so many close-ups were falls to Fuqua or cinematographer Mauro Fiore, but it just seemed as it the film wanted to be as “in-your-face” as possible in terms of conveying the action to the audience and there is a complete lack of distance with the spectacle.

In addition, the story follows every convention a story of redemption lays out for itself. There was just no surprise, no unexpected twist, or anything. It was as if you knew what you were getting yourself into, you are satisfied yet a little disappointed because you wanted more and that is how I felt when the lights went up on Southpaw.

I found the pacing of the film nicely done. Editor John Refoua has done a satisfactory job with how the film has a progression; the audience can keep up with what is going on.

I cannot say that this is one of the year’s best films because it doesn’t carry itself with a prestigious air like The Fighter did or it wasn’t as uplifting and powerful as Warrior but the acting in the film is top-notch. Southpaw is an appreciative picture because it features a quality performance from Gyllenhall, and strong supporting roles from Whitaker and Lawrence.

I believe Fuqua is still chasing the lightning he struck with Training Day, but Southpaw is worth a seeing even though I found it technically tame and bland.