Deathstroke is Strong Enough for His Own Standalone Film!

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Image by DeviantArt-Jeran Morales

When The Batman was announced way back when, Ben Affleck tapped notable fan-favorite anti-hero Deathstroke as the Dark Knight’s antagonist in the picture and Joe Mangionello was cast to go toe-to-toe with Affleck’s Batman. Since Matt Reeves signed on to direct the film, much of the details about The Batman became clouded due to rewrites and leading to speculation that Deathstroke may or may not be the villain of said picture. It has also been speculated that if Reeves elects to go in another direction regarding the villain, Deathstroke may be considered for the villain of another DCEU picture such as Nightwing. Speculation about the fate of the DC Comics mercenary Slade Wilson can now be put to rest due to the announcement that a solo Deathstroke picture is brewing.

An expert in hand-to-hand combat, military tactics, weapons and an intellect among some of the most prolific villains in the DC mythology, is basically an adversary worthy of Batman’s attention, capable of fighting him on his terms and his level.

Gareth Evans, director of The Raid, is currently being courted to direct the film with Mangionello potentially leading the picture.

No deals have been completed with Evans or Manganiello. The actor was previously cast as the villain in Ben Affleck’s solo Batman film, back when Affleck was both starring in and directing The Batman. It is unclear if he will still appear in a solo Batman film, which director Matt Reeves is now helming.

Deathstroke joins a growing collection of prominent villains worthy of their own feature-length films. Suicide Squad already broke ground for the DC villains, another Suicide Squad picture is in the works with Gavin O’Connor directing, Black Adam-the archenemy of Shazam-starring Dwayne Johnson is getting his own film, a feature focused on Jared Leto’s Joker and Margot Robbie’s Harley Quinn is supposed to happen in the near future; the DC Extended Universe is certainly taking the time to explore both the worlds of heroes and villains. There is no word on when this solo Deathstroke movie will go into production nor a release date.

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Suicide Squad Sequel in the hands of Gavin O’Connor

Last year, DC Comics and Warner Bros. did not have a good year. Batman v. Superman: Dawn of Justice and Suicide Squad made their way into theaters and though both films enjoyed significant financial success, both film were thoroughly skewered by critics, myself included. To be honest, I thought Suicide Squad was better than Batman v. Superman, but that’s like saying 0>-2; Suicide Squad was more enjoyable but it was mess through and through but Warner Bros. wants to give the team of villains commissioned to do black-ops for the government another shot with a sequel and I think that the sequel is in good hands with Gavin O’Connor.

The movie is a top priority at Warner Bros. and looks to be one of the two DC properties (the other being New Line’s “Shazam!”) to begin production next year. Given the ensemble’s busy schedule, the shoot wasn’t expected to start until fall of 2018. So while there’s still time, the studio is eager to get someone on board to pen a script.

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Image by Matt Baron/Rex/Shutterstock

I remember O’Connor’s name very well. In 2011, O’Connor co-wrote and directed the drama Warrior starring Tom Hardy, Joel Edgerton and Nick Nolte, who gave an Oscar-nominated supporting performance, and the film was very well-done. Over the past few years, O’Connor has directed hit-or-miss films such as The Accountant, starring Ben Affleck, Anna Kendrick and J.K. Simmons, and Jane Got a Gun, starring Natalie Portman, Ewan McGregor and Joel Edgerton. Hearing that O’Connor’s name associated with this production certainly fills me with confidence based on how I enjoyed Warrior.

Suicide Squad 2 is set to bring back Will Smith, Margot Robbie, Jared Leto and Joel Kinnaman and aiming for release in 2019.

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Image by Warner Bros. and DC Entertainment

What’s In and What’s Out of the DCEU? Who Knows?

Batman perhaps has the most prolific rogue’s gallery in all of comic mythology ranging from the earthy and seductive Poison Ivy, the squatty yet manipulative Penguin, the icy and ruthless Mr. Freeze, to the brilliant and powerful Bane, but there has always been one villain who practically grins to go mano-e-mano with the Dark Knight, every chance he can get!

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Image by DC Comics

Gotham City’s Clown Prince of Crime, simply known as The Joker, has long established himself as the arch-nemesis and complete antithesis to the Batman. Batman carries himself as the serious figure of order, watching over the streets and citizens of his hometown ready to protect them at a moment’s notice, while the Joker is madness personified with a perverted sense of humor, eager to crack a smile and/or a skull whenever he feels the need to do either. The Bat and the Clown have done battle dozens of times in both live-action and animated features and they have always been paired together. That is, until now!

The Joker is getting his own origin story, directed by Todd Phillips, known for films such as The Hangover and War Dogs and the legendary Martin Scorsese is attached to this project in an unspecified role. In a surprising reveal, this standalone Joker picture will not be a part of DC Extended Universe and Jared Leto, who starred as the Joker in Suicide Squad, will have no involvement in this project.

Sources say the story will take place in the ’80s and have more of the look of a gritty crime drama than comic book movie, which had a lot to do with getting Scorsese’s commitment to the project.

I find this a puzzling move for Warner Bros. and DC because I felt that the Joker was very underutilized in Suicide Squad and I was hopeful that Leto would have an opportunity to flex his acting muscles as the purple-clad clown in a future installment of the DCEU, perhaps in a Suicide Squad sequel or in Matt Reeves’ The Batman. Also, it is strange to keep this project isolated from the DCEU since characters in Batman’s canon such as Nightwing and Batgirl are getting their own features but to keep this Joker film separated from this franchise that is appearing to be getting its feet under them is a strange move.

Aside from Haynes and Scorsese, only Scott Silver, who is co-writing a script with Haynes, is attached to this project. No one is currently penciled in to portray the Clown Prince of Crime though, nor is a production schedule or release date confirmed.

Update: A day after this independent Joker movie was announced, a Joker and Harley Quinn movie starring Jared Leto and Margot Robbie was announced.

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Image by Warner Bros. and DC Comics

This film will be a part of the DC Extended Universe and Glenn Ficarra and John Requa the directors of Focus, Crazy, Stupid, Love, and Whiskey Tango Foxtrot, will direct this project. This will be Leto and Robbie’s third stints in the roles of Joker and Harley Quinn, following a planned Suicide Squad sequel.

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Image by Warner Bros.

Also, news regarding Matt Reeves’ The Batman is set outside of the DC Extended Universe, has been debunked by Matt Reeves himself.

Questions still abound regarding what the project will entail for the character. If The Batman is a part of the DCEU, it is likely that Ben Affleck is still attached to the project but with the script being tinkered by Reeves, the status of Joe Mangionello as Deathstroke is still up in the air.

Review: Wonder Woman

I’ve had a good reason to be hard on the efforts of the DC Extended Universe over the past few years; especially last year considering my thoughts on their previous two pictures: Batman v. Superman: Dawn of Justice and Suicide Squad. This year, the producers of the DC Extended Universe look to turn the page on last year and seek to do so with their first superhero adventure starring Gal Gadot as Wonder Woman.

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Image by Warner Bros. and DC Comics

The film opens with Gadot as Diana Prince who receives a parcel from a new friend that compels her to reminisce on her earlier years. From her upbringing on the island of Themiscyra, home to the Amazons, where she was raised by her mother Queen Hippolyta, trained by her aunt Antiope, and encountered a man named Steve Trevor, who would guide her to the world of man on a journey that would change her life and the world at large forever.

To reiterate: I’ve been hard on the DC Extended Universe and I had good reason to be so. Their previous films have compelled me to set the bar low on their films going forward and I had to go into Wonder Woman with a low set of expectations. That being said, I must be blunt: THIS. MOVIE. IS. GOOD!

I must give credit where credit is due. Producers Geoff Johns, Zack Snyder, Deborah Snyder, Charles Roven, director Patty Jenkins and screenwriter Allan Heinberg crafted a solid origin story with coming-of-age themes that culminated in a very engaging, charming and the most entertaining DC movie to come out in years! I was satisfied with how they handled this movie; it wasn’t perfect but this was a great effort that really paid off!

I thought that the strength of this movie lied solely with Gadot’s performance meshed with Heinberg’s script and Jenkins’ execution. Wonder Woman is basically looking at the outside world with the perspective of childlike innocence, guided by a man who exposes her to the good and bad that a world at war has to offer someone who doesn’t exactly need to help.

If Gadot’s introduction in Batman v. Superman didn’t sell you on her ability to embody this iconic character, than this movie will most assuredly convince you! It was a treat watching her carry this movie and her on-screen chemistry with Chris Pine is splendid! Whether Diana is trying ice cream for the first time or feels concern or sympathy for the wounded soldiers on No Man’s Land, she just embodies the strength, compassion and innocence in this iconic character and she is relatable to audiences.

While I enjoyed watching this film, I only wish that the film could have done more with the supporting characters such as Connie Nielsen, Robin Wright, Saïd Taghmaoui, Ewen Bremmer, Eugene Brave Rock, Lucy Davis, Elena Anaya, Danny Huston and David Thewlis. I also hoped that the film would take more time to explore and examine Themiscyra, the Amazons and their cultures.

The cinematography of Matthew Jensen was solid, Rupert Gregson-Williams’ music was satisfactory, Martin Walsh’s editing was solid, the production design of Aline Bonetto was good, Lindy Hemming’s costumes were very good, the visual effects were to my liking and technically Wonder Woman was very well put-together to give this character the strength to stand on her own.

Wonder Woman clearly raised the bar for films coming from the DC Extended Universe because what separates this movie from the films that came before it: fun! This movie allowed itself to have its own natural fun and that allowed the audience to have fun watching it; this is leaps and bounds better than any DC film that came before it!

Review: Fences

It dawned on me yesterday that I have posted reviews of every Oscar nominee for Best Picture save one! I did some checking and there is not a review of Fences on my blog. I did take the time to see the film last month with my mother on Christmas when it was released, so I will write this review based on my memory of the picture. I apologize if it’s late but this is something I wanted to do.

Fences stars two of my favorite actors in an adaptation of renowned playwright August Wilson’s drama about an African-American family in 1950s Pittsburgh.

The plot: Troy Maxson is a sanitation worker who works day after day to take care of his family. He comes home everyday to his doting and loyal wife Rose, tries to pass on valuable life lessons to his son Cory, tries his hardest not give money to his eldest son Lyons who comes around the house on pay day and tries to keep his touched brother Gabe out of trouble. By all accounts, everything is fine on the surface but Troy has a secret. His secret is big enough to send shockwaves big enough to rip this family asunder.

The legendary Denzel Washington and star Viola Davis played the parts of Troy and Rose in August Wilson’s acclaimed stage production way back when and reprise these roles in a feature length motion picture with Washington not only starring but directing and Fences is practically tame in its execution yet the drama makes up for that in electric fashion.

Watching Fences, I felt as though the narrow sets and limited frame of setting gave this movie a near-theatrical experience moreso than a cinematic one. Meaning to say that I felt as though I was watching a play more than a movie and this adaptation stayed small in the sense that the scope was slimmed down to only the central characters and these characters didn’t venture much beyond the world they take place in; perhaps this is what August Wilson intended in his screenplay and what Denzel Washington wanted to do with the film.

Small, theater-like, production aside, Fences does boast two of the best acting performances of 2016.

Whether Troy is reprimanding his son Cory, bearing his sins before his wife Rose, cursing the heavens for the life he has lived, swinging a bat at the angel of death, you could not ask for more from Denzel Washington as he delivers an outstanding leading performance. I’ve always held Denzel Washington in high esteem and he has failed to disappoint me yet; he is aces in this role!

I’ve always believed that Viola Davis is too good for television; she belongs in movies! I was amazed with her small but powerful performance in Doubt, I thought she was phenomenal in The Help, I was sure she would own the role of Amanda Waller in Suicide Squad and she did, and Fences has set her up perfectly to get her the elusive Oscar statue she deserves! Her performance as Rose is heartbreaking, powerful and steady, when she is crying her eyes out in rage and anger, vindictive to Troy, consoling to Cory; she is dynamic and always has been!

The supporting cast of Stephen Henderson, Jovan Adepo, Russell Hornsby, Mykelti Williamson and Saniyya Sidney are all solid supporting performances worth mentioning.

Technically speaking, Fences isn’t much to look at. Charlotte Bruus Christensen’s cinematography is fair, Hughes Winborne’s editing does well for itself, Marcelo Zarvos’ music is adequate, David Gropman’s production design is alright, the set decoration of Rebecca Brown and the costume designs of Sharen Davis are decent enough.

This review is strictly from memory and what I remember about Fences is that this was a movie to celebrate for the performances and the drama and nothing else.

An Assessment that is Summer 2016 at the Movies

I certainly didn’t see every movie that came out this summer but I certainly tried to see every movie of note that was released. To say that the films released between the period of mid-May to the twilight of August and speaking of the twilight of August: we’re in it! The Rio Olympics, which I did not bother watching at all, came and passed, NFL preseason is halfway through, the back-to-school advertisements are out in full force, and even though the final official day of summer arrives in early September, I’m ready to call it: summer’s over. That being said, I’d like to take a look at some of the highlights and lowlights of the last few months at the movies!

Summer 2016’s biggest surprise: Hell or High Water

Man, I’m still aglow over this knockout comtemporary Western gifted to us by director David McKenzie and rising star screenwriter Taylor Sheridan! In case you missed my review, Hell or High Water stars Chris Pine and Ben Foster as two bandit brothers determined to keep a bank from foreclosing on their family farm by elaborately robbing various branches throughout Texas. Jeff Bridges plays the grizzled long-in-the-tooth lawman nipping at their heels as they tear through the Lone Star State and with a solid 3-man leading ensemble, excellent writing and superb execution, Hell or High Water came out of nowhere and scored a vintage cinematic homerun!

Summer 2016’s biggest disappointment: Now You See Me 2

I can’t remember if I cried when I saw this sequel come untied, but something touched me deep inside, the day Now You See Me 2 proved, the magic had died. The magic, being the magic, fun and the unexpected twists and turns from the original Now You See Me, starring Jesse Eisenberg, Woody Harrelson, Dave Franco, Mark Ruffalo, Morgan Freeman, Michael Caine and others about a team of magician thieves who pull off criminal feats of awe-inspiring dexterity. Now You See Me 2 is merely one of the many unnecessary sequels of this summer no one asked for and honestly, director Jon M. Chu should have kept this rabbit in its hat.

The superhero movie of the summer: Captain America: Civil War

This decision was not even close! X-Men: Apocalypse failed to live up to the hype, and Suicide Squad was doomed by its own shortcomings, but even if this wasn’t by default, Captain America: Civil War had it all! This star-studded Marvel grand showcase pitted Avenger against Avenger is a thoroughly well-thought out execution of philosophy, orchestrated by powers beyond the Avengers’ field of vision and started Phase Three of the Avengers Initiative with a bang!

Summer 2016’s best animated film: (tie) Finding Dory & Kubo and the Two Strings

2016 was a year to celebrate animated features and two of my most anticipated animated films of this summer did not disappoint at all! Disney & Pixar should probably take home a prize for actually making a sequel that was done right for audiences everywhere were taken back to the sea to check in on Marlyn, Nemo and Dory who set out on a grand adventure to realize who she was and where she came from. Finding Dory was absolutely precious and it should be celebrated not only as one of this summer’s best films but one of the best films of this year, but not so fast!

The latest animated adventure from Laika and Focus Features is a genuine marvel in itself. Kubo and the Two Strings follows the tale of a boy with a magical knack for origami and storytelling and he embarks on a quest to inherit his father’s legacy while supernatural forces are hunting him and his companions down. I’ve always respected the work of Laika and Focus Features’ stop-motion animated adventures but Kubo and the Two Strings is a genuine treasure and a highlight of this summer.

Summer 2016’s best visual effects: Captain America: Civil War

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Image by Marvel

Again, this is another competition the super soldier won without much difficulty and that’s saying something considering the summer is the season where visual effects run rampant throughout movie theaters. Whether it was the fight between Team Cap and Team Iron Man or the final battle between Iron Man and Captain America, this movie was a feast for the eyes.

The best movie of the summer: Hell or High Water

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Image by CBS Films

I should really proclaim this as one of the best film’s I’ve seen this year. Oh wait. I think I did!

The worst movie of the summer: The Legend of Tarzan

There were many to choose from over the past few months. To narrow my choice down, I thought about a movie that I had no high expectations for going in whatsoever and a movie that attempted to or didn’t even try to meet those shallow expectations and what I was left with is The Legend of Tarzan, starring Alexander Skaarsgard, Margot Robbie, Christoph Waltz, Samuel L. Jackson and Djimon Hounsou, in David Yates’ take on the legendary character crafted by Edgar Rice Burroughs. This movie was like watching a snake crawl back into its old skin after shedding it and it was rather unnatural to digest.

Fare the well Summer 2016. I did my best to see your best and I certainly will try to forget your worst, if indeed I did bother seeing them. Anyway, I’m on to fall. Check on my blog for any updates or news or my next film and I’ll see you at the movies.

Warner Bros. Wants to do Superman Justice With Sequel

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Image by Warner Bros. and DC Entertainment

The DC Cinematic Universe is not off to an ideal start. In fact, 2016 should be a year that DC and Warner Bros. would like to forget since their two highly anticipated films of the year, Batman v. Superman: Dawn of Justice and Suicide Squad, were not exactly welcomed critically and not-so-much economically. The film that initiated the DC Cinematic Universe, Man of Steel introduced the franchise’s cornerstone character, in a rather radical take on his origin story. Personally, I wasn’t thrilled by Man of Steel but I respected how different it was in terms of how the world saw Superman. For so long, Batman v. Superman has been described as the sequel to Man of Steel, serving as a bridge to the inevitable and upcoming Justice League movie, but news has broken regarding an official sequel to Man of Steel that has just been approved for development.

Despite Superman’s battle with Batman, DC has been silent on a sequel to “Man of Steel” featuring Superman solo, leading many frustrated fanboys to believe that another film wasn’t going to happen. But a person close to the project told TheWrap that Superman is a top priority for the studio and getting the character right for audiences is of tantamount importance.

When last audiences saw Henry Cavill’s Superman in Batman v. Superman, the Man of Steel was given a hero’s burial after the titanic bout with the monstrous Doomsday and the character has been confirmed to return in Justice League. I’m curious how the last son of Krypton will rise from the dead to aid Batman’s alliance of special individuals against the mysterious Steppenwolf and I’m all the more curious as to how this sequel will contribute to what the DC Cinematic Universe has to offer. A few months back, Oscar-nominated director George Miller was rumored to be a favorite for a project such as a Man of Steel sequel but after a brief period of speculation, he announced that he would rather pursue other ventures.

As of now, there is no word on who will write, direct, star (aside from Cavill presumably) in the picture or a release date. All we know is that it is happening and Warner Bros. wants to redeem themselves for how they have portrayed Superman in the previous films and considering that Man of Steel grossed $668 million globally in 2013, Batman v. Superman collected $872 million at the global box office, not to mention the money the studio will get from Suicide Squad, they have the funds to make it happen, they just need the right creative minds to actually make it happen.