To be honest, I was going into War for the Planet of the Apes with an idea of what I was in for. Based on what I’ve read, what I’ve seen and heard about the film up to that point, I thought audiences were going into a film where Caesar would be leading his species in an all out assault to preserve their survival against what is left of mankind, yet I was unprepared for what really was in store.
Essentially, War occurs two years post-Dawn and well distant from the events that transpired in Rise but not totally disconnected. After Caesar suffers an unimaginable loss that rocks him to his core, he takes it on himself to journey across the wintery wilds to find a man called The Colonel and kill him. Caesar is aided by his most trusted simian companions, Maurice, Luca and Rocket and pick up a few stragglers along the way in the peculiar Bad Ape and a mute girl who is later dubbed Nova; this journey to find the Colonel fills Caesar with inner turmoil to hold on to the principles he held so dear to him or embrace the darkness within himself to exact his vengeance, like Koba did. This inner battle within the first super ape is the War that takes center stage in the film.
Matt Reeves, the director and co-writer of the film, impressed me in bringing Caesar grand story to a stirring finish in the fashion that he did. Reeves and Mark Bomback have crafted a story with heavy biblical references to allow their protagonist to shine in the brightest way they could and truly cement his legacy as his story comes full circle.
Essentially, the Planet of the Apes franchise in its entirety is a story about hubris; how living creatures create their own undoing and there is a success in how this story, Caesar’s story, was told. In War, Caesar wrestles with his darkness brought on by immense grief, he suffers like Christ suffers, he led his species to freedom as Moses did, every action he takes in this movie, shapes the course of his future and the future of his apes and this story leaves a profound and thought-provoking experience with audiences and it resonates when they leave the theater.
I especially took pleasure in how the film handled Caesar’s relationship with Nova. Before the two meet, Caesar dives right into his inner demons to the point where he is almost apathetic, remorseless and bloodthirsty but Nova reminds him of the humanity inside him and how that humanity has kept him from becoming Koba; in a way that theme of humanity and hubris tied all of the films together.
Andy Serkis’ performance is once again, high caliber! The CGI visual effects are just a costume but he breathes life into his characters and audiences are taken for an emotional ride with his performance as Caesar. From the moment, Caesar makes his presence known in the picture, everyone becomes invested; Serkis commands the screen as this character and doesn’t let up for an instant!
Woody Harrelson is as good as I’ve ever seen him as the vicious and bloodthirsty Colonel. Steve Zahn is a hoot as Bad Ape, Amiah Miller is terrific as Nova, Karin Konoval, Terry Notary, Michael Adamthwaite, Gabriel Chavarria, Judy Greer, Ty Olsson, Sara Canning, Aleks Paunovic, Devyn Dalton, Max Lloyd-Jones, Alessandro Juiliani and Toby Kebbell were all outstanding in the roles they played.
Michael Giacchino’s score, Michael Seresin’s cinematography, James Chinlund’s production design, William Hoy and Stan Salfas’ editing were all very satisfying. The visual effects were as elite as you might see all year.
I went into War for the Planet of the Apes expecting something totally different but I was completely washed away by how emotionally resonating, thought-provoking and creatively assembled this movie was. You won’t be flat out excited by it, but you will be immersed in how Caesar cements his legacy and how his tale comes to a close.
The Planet of the Apes franchise finishes on a very strong note.